So I had mentioned on
chickenfeet's
review of L'incoronazione di Poppea how disappointed I was to have missed it & how I was having trouble keeping up with what performances were happening - especially one night only events. He kindly pointed me toward
The Whole Note, which does a weekly roundup of Greater Toronto Area music and theatre (and then I created
the_whole_note_feed on here so I can see it from my flist).
This is how I found out that Toronto's Summer Opera Lyric Theatre was doing their own Poppea & somehow managed to get front row tickets (I think they are struggling a bit; they're papering the house for today's showing of La Vie Parisienne...). It was an okay production given that this is kind of a "junior-league" company (basically a showcase for opera singers still in training). They did a pared down, English-langauge version of the opera (ran about 2 hours with intermission). I was a bit nervous that the English translation would be bad, but it was pretty decent & I think the problematic parts were unavoidable (si, si -> yes, yes means your harmonizing on a worse vowel, but what can you do?); all the singers had pretty clear diction, so you didn't miss the supertitles at all. In terms of the performances themselves, I think what I'd say is that everyone involved was a great singer, but still working on their acting and stage presence (plus some felt out of their comfort zone singing the baroque style; a lot of bits felt a bit slower or looser that I'd have expected).
Caveats aside, there was some really great stuff here! Grace Budoloski was a pretty perfect Poppea. Her singing was great, but her acting was something else. Poppea is kind of a weird role, simultaneously murderously ambitious and childishly naive (a good match for Nero...) and Budoloski nailed the subtleties here. Minerva Lobato was also excellent as Ottavia, Nero's scorned consort. She's clearly a vocal powerhouse & was able to just overwhelm you with the strength of Ottavia's rage and sorrow. I think Lobato is the one I'd most want to see in something else. Jeffrey Liu was a lot of fun as Nero and one of the stronger actors in the production (not particularly subtle but... it is Nero, after all). Vocally, I think he did a pretty good job, but it is weird for me to see a Nero with a conventionally masculine voice (the part was written for a castrato & the production I saw in Berkeley cast a soprano who had a really lovely, dark vocal quality), so I have a bit of a blocker there. In the smaller roles, Handaya Rusli came across very charming and charismatic as the conflicted Ottone and Lori Mak was similarly a lot of fun in the tiny part of Damigella. Lots of names to keep an eye out for.
Overall, it was a pretty good showing & a lot of fun, but I don't know if I'd recommend this to be someone's first exposure to Poppea... I feel really spoiled to have seen the production I did in Berkeley. Even the Toronto Summer Music Festival did not fully stage it (theirs was a concert version) & it looks like the orchestra was smaller. Berkeley's had a baroque orchestra,full staging, and costumes. Someone must have gotten a fat grant to make that happen! And the more time goes on, the more I am realizing how rare an experience that was. But I also just genuinely love this weird little opera and its unsettling plot, so I'll see it where I can. I also would like to see a countertenor sing Nero at least once? Come on Opera Atelier, give us this soon! The people crave Poppea!!